SOME OF MY LOCATIONS I WILL FILM AT

HERE IS WHERE I WILL SHOT THE FIRST FEW SHOTS IN THIS AREA

HERE IS MY DRIVE BY SHOT IN RESPONSE TO THIS IS ENGLAND WHICH WILL BE PLACED SOMEWHERE IN MY TITEL SEQUENCE

THE LOW ANGLE VIEW ON THE FLATS WHICH I PLAN TO USE AS PART OF MY ESTATE TITLE SEQUENCE

THE GARAGES I WILL BE LOOKING TO SHOOT WITH A DRIVE BY EFFECT

THE TRAIN BRIDGE WHICH I WILL USE

TUNNEL SHOT ONE FROM INSIDE THE ESTATE

HERE IS THE FINAL SHOT FOR MY TITLE SEQUENCE A EXTREME CLOSE UP OF THE TUNNEL AS A MYSTERIOUS MALE WALKS THROUGH IT

SCREEN SHOTS AND LOCATIONS

locations i may use to film at

i found some photos of place to use and put them in order in which i would use them when editing them together.

SOCIAL REALISM , BRITISH FILM AND DIRECTORS

Social realism I feel is the best genre and is a genre that we use most of all to make British films. It has shown us to ourselves, pushing the boundaries in the effort to put the experiences of real Britons on the screen, and showing our ideas of what British people in certain areas, class and race experience in their life times. And create all sorts of emotion to the viewer. While our cinema has experienced all the effects and excitement of Hollywood films, realism has been Britain's richest gift to world cinema

British film isn’t just a genre. British film shows more then just a storey, it teaches us about awareness, religious faith, and history it shows us love and romance rich and poor personalities and prejudice every thing to do with real life can be shown in a social realist film.

Here are some directors who create outstanding social realist films:

Ken loach 17 June 1936 He made his feature debut Poor Cow (1967) the following year, and with Kes (1970), he produced what is now acclaimed as one of the finest films ever made in Britain. However, the following two decades saw his career in the doldrums with his films poorly distributed (despite the obvious quality of work such as The Gamekeeper (1968) (TV) and Looks and Smiles (1981)) and his TV work in some cases never




Ken loach






















Mike Leigh, OBE born 20 February 1943 is an English writer and director of film and theatre. He studied theatre at the Royal Academy of Dramatic Art and did his early acting with the Royal Shakespeare Company[citation needed]. He began as a theatre director and playwright in the 1960s. In the 1970s he made the transition to television plays, many of which were characterized by a gritty "kitchen sink realism" style. Some of his well-known films include Life is Sweet (1990), the comedy-drama Career Girls (1997) the Gilbert and Sullivan biography Topsy Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are arguably Naked (1993) for which he won the Best Director Award at Cannes,[1] the BAFTA-winning (and Oscar-nominated) Palme d'Or winner Secrets & Lies (1996) and Vera Drake (2004).







Mike Leigh






















Shane Meadows 26 December 1972 I have known him as the director of this is England but has also done these films
Le Donk & Scor-zay-zee (2009)
Somers Town (2008) The Stairwell (2005)Northern Soul (2004)Dead Man's Shoes (2004)Once Upon a Time in the Midlands (2002) 

A Room for Romeo Brass (1999)24 7: Twenty Four Seven (1997) 
... aka "Twentyfour Seven" - UK (video title), USA (video title)
... aka "Twenty Four Seven" - International (English title)
Small Time (1996/II)
Where's the Money, Ronnie? (1996)





Shane Meadows

Rough storey board of my film

MY ROUGH OVERALL STOREY BOARD

MY FIRST ROUGH DRAWINGS OF MY OPENING SHOTS

BRAIN STORM

HERE IS A FEW OF MY FIRST OFF SPRING IDEAS WHEN WE WHERE PLANNING TO CREATE OUR OWN TITLE SEQUENCE WHEN I CHOSE TO DO BRITISH FIL

MY INSPIRATIONS THAT HELPED ME

THIS IS THE TITLE SEQUENCE FOR THIS IS ENGLAND I RESPONDED TO THIS TITLE SEQUENCE BY TAKING THE DRIVE BY CAMERA SHOT AND USING IT IN MY TITLE SEQUENCE.

This Title Sequence is purposely made to set the atmosphere by the style of music which is played. The title sequence is made up mostly by short films from key events such as the jubilee clip it also shows old retro games in the british history to set the style,mood of the generation it is trying to create. and mixes with the characters and sets of his film. i feel the title sequence really works and makes me wanna watch the rest of the film. The mise en scene is perfect and makes the whole sequence believable.

SE7 EN OPENING CREDITS

This is the opening credits of Se7 en which i looked at. To get ideas from.

This title sequence is a mysterious style way to introduce a film it dont introduce characters or locations. Just gives the film a darker side and creates enigma and makes you wanna see more.